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And our one heroic pledge, “A kiss is a pleasant reminder that two heads are better than one.”, “Heaven is under our feet as well as over our heads.”, Hairs hand Graces, Jarring, Maybe I just wanna fly Want to live I don't wanna die, Nail on the head, rather empressed with it all, Talking Heads, vamp till cue feratu
I’d been waiting in the parlour for fifteen of the longest minutes of my life when the suspect entered the room.
The walls were a shade of puce that slipped into a thick, muddy black in patches. Patches that to my mind looked somewhat damp. “Impossible. Unless she’s programmed in a bit of rising” I pondered, whilst taking in the dusty paintings and strange ornaments filling every nook and cranny. It was less a display, more a celebration of vintage creepiness. All fake of course. I was peering into the shadows at what looked suspiciously like a gurning, partially bald yeti, when she glided into the room like a hot knife through butter.
“I see you are enjoying my parlour inspector” she said in a voice that could only be described as ‘really fucking ghoulish’. Being a gent an all, and not likely to curse in such a way at a lady, I made some agreeable noises and silence fell.
Which is when I noticed the clock. But there hadn’t been a clock in the room before she came in, I’d have noticed. The more I listened, the more metallic a ticking it seemed to be, yet my cursory glances around (as much as was polite considering the woman was staring at me like some kind of Tarsier on acid, and did not appear to have blinked since she entered the room either), found no timepiece, and the more I thought about it…the less like clockwork it began to sound anyway, rather something more…organic. Like a beetle, or a…but my thoughts were interrupted by that voice again.
“Would you like some refreshments Inspector…?”
“Barnet. Inspector Barnet at your service, and yes, a cup of cha would go down lovely, my throat feels proper dry miss…mrs..erm..ms? I’m afraid the caller didn’t actually give your name when they reported their misgivings regarding the…issue. What may I call you? Ma’am perhaps?”
“No Inspector, you may call me, ‘My Empress’.”
My Empress. I kid you not. The wild-looking bat was as crazy as her looming walls. Best thing to do in these situations is play along I find. In truth I was as dry as a desert spiders bum hole, so I’d have drunk anything to hand, but the khaki coloured brew she served me tasted of Jasmine and old men’s socks. I felt bilious within one mouthful. I was sweating too by then – Lords above what a hot room, and only the one ray of light coming in from the slightly parted curtains too. I felt uneasy, but couldn’t fathom why. I needed to get a hold of myself. I’m fifty-five years old, not some wet behind the gills kid.
“Certainly…my Empress.” I’m not one to take orders, and can’t be doin’ with high falutin’ sorts, givin’ themselves airs and graces, but…The Empress was oddly alluring, despite the googly eyes, slippery voice, and hair like an explosion of mental copper wire wool. Hair which was pinned up with several vintage-style fountain pens, the nibs of which poked out all over the show and looked to be razor-sharp. She was adorned in unusual garb for these days too, all covered up, so only hints of the goods below were revealed; a sharp contrast to all the see-through hydro suits you see worn on the streets. Perfect bodies and perfect smiles everywhere. The empress was not perfect, her teeth weren’t even glowing. They looked…cream would you believe? Though she’d clearly succumbed to at least one of the latest fads – she had the feratu teeth implants. Everyone who’s anyone fancies themselves as a fake blood sucker these days. I felt a sense of disappointment that she’d joined in, yet I barely knew the woman, how daft is that?
She wore a high-necked lace blouse with an emerald green jacket on top, and her matching long velvet skirt skimmed the oak floor, emitting soft swishing noises left right and centre. I’d never met anyone like her in thirty years on the force. I should have been investigating the report, instead I found myself wanting more information about her.
I said “I see you favour the vintage decholos. This is the best I’ve seen I must say. It’s an impressive program” gesturing around the room.
“Oh no Inspector, this is all quite authentic I assure you” That smile again. Teeth with an extra serving of teeth on top, and flashing a pink tongue all over the show at me too. I glanced at her blouse, the beat of her heart was moving her upper regions subtlety, and suddenly I felt some movement of my own in my nethers that was quite unsuitable considering the situation at hand. Shit.
“Get a grip man!” I thought.
Outloud unfortunately. The Empress laughed like a peal of thunder, her ‘ha-ha’s’ booming across the room at me like waves of hilarious humiliation – I went beetroot red for some time, my amour withdrawing faster than the local speed of light.
The front door bell rang, and she scuttled softly away, leaving me to recover from my discomfort and realise that for this room to have authentic decor, rather than your average, bog-standard, holographic pre-themed one, the items within it would have to be hundreds and hundreds of years old. Eight or nine at least. So old that I sadly then understood that she must have a malaise of the mind. Of course it was all fake. Had she forgotten her medication? And what a shame too. I really did find her quirky nature attractive. I reached out a hand and pushed it through the nearest vase, so that my fingertips touched the wall and the vase crashed to the floor, splintering into so many pieces, that not even the highest skilled vintage specialists would be able to save its hide.
Fucking hell.
It was all real!
The water had soaked through my brand new, beige kinetic shoes, and was tinged with dead pollen from several almost dead flowers, instantly leaving a tide mark that was happily setting up camp for eternity. “Shite on a stick” I sighed.
“I’d add a fuck, and wanking twat to that shite if I were you Inspector” the Empress growled from behind me. “That vase was a Quianlong Dynasty – 18th Century, and worth seven hundred and fifty billion pounds, give or take a penny. How much does an Inspector make salary-wise per year?”
I turned to find a deadly smile aimed in my direction. “Sixty thousand.” I replied. And then gulped. All of a sudden I wanted to cry.
“Calm yourself sir, I shall not cause you any grief over some material object, regardless of age. Please feel free to look closer at the rest of my collection.”
I peered about, but so much of it was hidden in the gloom and I didn’t feel it proper to wander about fingering her bits and bobs.
“What’s your most unusual piece?” I asked, genuinely curious about this miss-mash of priceless oddities.
“My hairy lantern”, she replied, completely straight of face. I spat the contents of my tea-cup a good two yards, hitting an ancient portrait of a fat man wearing a pork pie hat and a tutu in neon pink, straight in the eye.
We both watched as my frothy goz dripped down the surface of the expensive, oil painted canvas. I sighed again and apologised. “You say sorry to often”. She skittered over to the mantelpiece and lifted down what was indeed, a hairy lantern. The frame seemed to be covered in a pale plastic material and had thick dark hair sprouting in patches all over the place. There was a solid hairier line across the top of one edge.
“This is Liam” she murmured, combing the hirsute sides with a small brush, and then lit the candle inside using a long-handled, retro gas lighter. The lamp began to sing. Yes, sing. Some godawful music, with an accent that had the unpleasant thing pronouncing words like sunshine as ‘sunshiyeeyeeyine’.
“Wha…..” I trailed off, mesmerised by the living lantern. She said “It’s a form of punishment. He has another two hundred years to go, and then I may release his soul, depending upon whether his attitude picks up or not.”
The lantern stopped singing and said ‘You can fuck off you fat minger!”
The Empress sighed, blew out the candle and placed a sack over the top of the lantern, and a few muffled noises of indignation leaked out for a few seconds.
I was agog. An actual gog. What kind of hell was this place?!
It was time to get out. “I’ll speak to the Super about the vase Empress, but now I really must get to the matter in hand” I was desperate to get this over now and bolt as fast as my soaked feet would carry me. “There have been reports of a man in distress seen at this address. Oh bollocks, there I go again, always an unintentional poet – wouldn’t you know it? Heheheh.” I laughed nervously, my audience of one staring back at me as though I were the next course at dinner.
“Distress?!” She sounded incredulous. “No one is distressed here Albert, I can assure you. Not yet at least.”
Albert. What the fuck? She knew my name? Then again, if she’d gone on to tell me my collar size and the colour of my under grundies that day I’d not have been shocked. When the Empress looks at you, her eyes don’t just bore into your face, they dive through your irises and start tap dancing across your grey matter. It was bloody horrible…and I quite liked it. No one had called me Albert since school either. I was always ‘Bert‘. I hate being called Bert. It sounds like an infection, one a cat might contract, or a foreign cheese. Or – a really fucking dull bloke basically. ‘Albert’ however sounds…as smart as I actually am.
I shook my head, trying to get her out of it and some sense back in, aiming a grasp at returning to a state I’d recognise as normality again.
My digital notepad flicked open in the air hovering before my face and I nervously read out the following;
‘On the twentieth of September 2614, A Mrs H. Kincaid said that when she happened to glance through your parlour curtains, she saw a man’s head in a jar and he was making terrible sounds of distress. She was backed up in her claims by a Ms Fanny Fortesque, who sent us a photograph taken on her hand-recorder which appears to show some kind of Halloween decoration on a bookshelf near a window making wailing noises.”
“Now I’m here, I suspect she just saw one of your, er, objects d’art shall we say, and was mistaken, so I’ll be getting off now and mark the enquiry as closed. Thank you for your time my Empress, and…”
She clamped an ice-cold hand over my mouth, and pushed me towards an alcove near the window whispering in my ear “I want to introduce you to a friend of mine Inspector.”
That one ray of sunlight I’d seen earlier was falling directly upon seven small solar panels attached to what appeared to be a human head in a glass jar. She removed her hand from my mouth.
“Albert Barnet, meet Edward Smithfiled. Edward, this is Albert”
The head swiveled its eyes towards me and said “Nice to meet you Albert. You look a little green are you feeling alright?”
I looked green. Blimey. It looked so real. No, it WAS real. It was fucking real. I’ve seen restored photographs of shrunken human heads from ancient times, but they were just that – shrunken. This one was full size. It was also one of the most horrible items I’ve ever had the misfortune to set my eyes on. One half of the face was a normal bloke’s visage, not bad-looking I suppose, very intense eyes, pale as a ghost mind, but some people would be keen I’m sure, and sporting a well-trimmed beard. The rest of his head and face was just a fucking mess. I mean it was falling apart, no skin, muscles hanging off here and there in long tatty white and pink strings, a huge section of jaw and cheek bone jutting out and the whole of the top of his head was just missing, so his brain sat there pulsing away in front of me like a big sloppy snake nest.
Edward apparently. Edward Smithfield! I knew who he was!
The idea of preserving brain consciousness is not new, its been going on forever and a day, but all you see is the uploaded data from the person in question. Not their rotting head. During my training I researched a famous police case from centuries past. Few know of it now, I just happen to be a bit of a history buff. ‘The case of the missing brain’ it was called. Some scientific institute was experimenting on prolonging consciousness after death, and they named their endeavours ‘The Eternal Preservation Project’, offering the glory of eternal life in order to get some willing Guinea pigs in human form to come running. And it worked as well. And they did start out with the poor sods actual flesh and bone heads in glass containers. It turned out to be incredibly successful, the technology implemented being entirely reliant on solar power alone. Sadly there was a terrible fire one night, and all the brains burnt to ash barring one. Apparently some young girl had taken a fancy to one brain, visited him every day for years, and so when the catastrophe occurred, she was close enough to the institute to save him, disappearing off into the night with his head in its glass container, tucked under her arm, never to be heard of again. It was assumed the brain in the jar perished shortly afterwards. The man’s name was Edward Smithfield.
I looked at Edward. He looked at me. I said I was fair to middling considering a head in a jar was talking to me. In reality I was barely capable at this point of coherent speech being so freaked out by the day’s events up to now.
Edward said “Now, I have a bone to pick with you Inspector. Noises of distress?! Noises of DISTRESS?! I was bloody well singing! What the actual fuck?! I’m highly insulted Albert, I have to say!”
The Empress turned to me, “He sounds rather distressed now though doesn’t he?” She snorted with laughter. “And yet usually, he’s perfectly happy here with me. He’s just a very shit singer! Hahahahaha” booming that laugh at me again.
Edward gave the Empress a cold stare.
She turned to me and said “Of course you must stay now Albert. For your own good…and mine.”
I felt the room begin to spin and then realised it actually WAS spinning, as a tea-cup and saucer with ‘Frankie Says “RELAX”‘ embossed upon them, flew past my face off a Welsh dresser and smashed to shards on the hearth before me.
I stumbled sideways into an armchair as the Empress walked perfectly steadily across the floorboards towards me, then whipped one of the deadly looking fountain pens out of her beautiful, fuzzy, towering mop, and stabbed me sharply in the chest with it as she leant in, and kissed me forcefully on the lips.
The thought flashed through my mind that though I often find women confusing, this took the whole arena to a completely new level of bonkers. She drew back, and I recall thinking her aroma reminded me of petunias, then my eyes blurred, everything began to darken, and I heard the following conversation take place before I blacked out;
“You’re going to eat his heart aren’t you Em? Like all the rest. Don’t do it, I like this one!”
“HAHAHAHAHAHA. Am I so very predictable Edward? Hmm. Well, you’re wrong. There’s something you don’t know about Albert, and he doesn’t remember…we’ve met before. That personality of his is no implant either. I’ve waited ever-so many years to find him, and now I have, I do not intend to let him go again without one hell of a fight.”
“Hey misses, It’s hardly a slur to assume you’d be eating his heart for tea, I mean come on, we both know it’s an unfortunate weakness of yours. The only reason I’m still alive is because I haven’t got one, and don’t think I’m not very aware of that!”
“Oh Edward, please don’t get a monk on, don’t be pissed off with me, I really can’t help that, it’s genetic, you know it is, and I do love your company. I promise, had I met you when you were whole, I’d have put your head in a jar straight away myself, and not even nibbled at your medulla oblongata. I’d certainly not have killed you.”
“Well, humph, yes…that’s a very nice thing to say, for I am terribly fond of you too Em. I couldn’t have wished for better hands to be left in by my Joseema. I realise that now.”
“Tears I see now. Oh Edward, don’t upset yourself, I know she’ll be back for you one day, one day soon I’m sure, and then I’ll be all alone again, in the vastness of eternity. So…I’m going to prepare Albert to sit in your place when you have departed. The practical side is no problem, I’ve been a scientist for several hundred years as you know, the tricky part will be getting him to get to accept the situation…and accept me.”
“How could any sane man resist you Em?!”
“You are a charmer Ed. Even with no body and half a face.”
“I’ll do everything I can to talk Albert round, acclimatise him Em. It’s very tricky what with him not actually making the choice himself, but I’ll give it my best shot. For you.”
“Thank you my friend, I will say…”
…And that’s the last thing I remember hearing before waking up here, in a cold cellar that looks like some kind of laboratory, tied to some rusting pipes with metal cable ties. There’s a large glass jar on the table that looks just about big enough for a head…
My mother always said I keep everything bottled up…bollocks.
(end of transmission)
This transmission is linked to two previous ones –
Simulcast Fragment – 1542838 – Edward Smithfield – Jarring
and
Simulcast Fragment – 772321 – Fran Cardis – Missing.
For those who are new to the Cloud, please read the information at the following link regarding the Simulcast Fragments. Thank you – sonmi
Albert appears to be in a bit of a pickle ……….
A most engaging read. Thanks Sonmi of the Cloud.
“. . . dry as a desert spiders bum hole . . .” somethings are just too perfect!
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Ha! He certainly is, and The Empress appears to be ‘head’ over heels with him too.
I’m pleased to hear my spider’s dry bum-hole was perfect for you – laughs. Thank you Tubular, I very much appreciate the comment, and the long read too – smiles
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Suitably or wonderfully insane…I cannot decide although my compliments re an intriguing tale in either case!
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Why thank you Mike. From you I take this as a high compliment indeed – ‘wonderfully insane’ – I couldn’t ask for much more than that!
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Hairy lamps, desert spider bum holes, Bert, sloppy snake nest & the medulla oblongata. I’m empressed!
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When you put it like that, it does sound good. Better than the actual Fragment in fact. laughs. Thank you Jessie-em. The Empress speaks very highly of you too I hear.
sonminoddingupontheCloud
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OMFG! I love it, is an understatement!
Okay, here’s the thing, I’m an old Poe fan, loved his short tales, immensely. And while your story is uniquely unique, your manner all your own (who can deny), this one puts me to mind of O’ Edgar’s tales, with its spooky captivating you’re-not-going-anywhere-until-you-read-the-whole-damn-thing style. And I mean that in a most complementary way, lady.
It does have me wondering one thing. Have you any heads in jars?
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Hurrah! That’s excellent news – I must say I’m more than a little chuffed to have elicited an ‘OMFG!’ out of you Peter. – beams Poe too eh? Well, a hint of a tint maybe, though I hadn’t thought of him in connection with it, I do see what you mean. I read a lot of his short stories when I was younger, and a good few Lovecraft too. Unsettling fantasy/horror is a favourite genre of mine along with science-fiction. There are no boundaries beyond the scope of your own imagination. It’s been a good while since a story appeared, so I was pleased to find this one appearing in my virtual inbox a couple of days ago. It could be better, but when I go down that route things end up never being published, and it seemed good enough to air, a thought proven correct by the comments up to now assuming they aren’t all just being kind – laughs. Even if this were the case, so long as I don’t know I’ll be happy as the proverbial pig in mud anyway eh? – nods a great deal
Thank you Peter, I’m so glad top have entertained you.
PS – Oh yes, the heads. sonmi hides the five head-sized jars behind the Cloud – no, none at all Peter, not a ripe one anyway coughs and pegs it.
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I feared to bring that to your attention, thinking silence a confirmation of the matter. And knowing that one who collects heads in jars should not be pushed too far, lest the inquirer acquire their own jar.
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Your head would look great in a jar Peter. That’s just a fact. There’s nothing any of us can do to change that.
Or fate…
sonmi looking ominous upon the Cloud
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A disembodied critic’s review:
This is a quite wonderfully structured fragment, gracefully paced and intoned throughout. Right from the start we see the writer’s artistry at work, and it seems fitting that one should begin proceedings such as this with a damp patch I feel. This is not to say a patch of dampness that is felt by myself personally; rather one that sets the scene in the reader’s mind, such as the writer’s own delightful little geometrically-defined place of moistness. And then, almost prematurely within the piece, the Yeti comes, baring his shiny pate – a fine start, “filling every nook and cranny” as the writer immodestly declares.
The language, whilst delicately hewn throughout, is nonetheless foul, or could be to the sensibilities of those inhabiting their very own mid-twentieth century virtual world – a place otherwise known as the British Broadcasting Corporation. In that place we thankfully are not though, and parlour dwellers of yesteryear, affected as they may be by profanity, can simply ‘do one’, if I may just for a moment speak on the writer’s behalf. Va te faire foutre, connard! And there is no need in the least for this critic to excuse their French. Of all the world’s evils of late, literary expletives cannot remotely be considered amongst them.
Returning to the plot, we then dive hallucinogenically into clocks that morph into beetles. As to the reasons for this, I have no idea, yet somehow it works as a device – one without a purpose, but a device nonetheless. And who am I to doubt the writer’s intent? She can camp all she likes, and stuff her face full of Fly Agaric ‘til the walruses come home if she can write like this. And she can. Well, obviously, and obviously well. A latter day Flann O’Brien, though with bosoms and here lofted upon Cloud-borne allegorical absurdities, is amongst us fellow readers. We should fill our boots with whatever she stages from above, eyes directed upwards lest her curtains should part.
Speaking of which, we then move on to the mysterious Empress’ “slightly parted curtains”, as Albert attempts to “get a grip” on himself around her “hot room”. By this stage, this critic too is fervently doing the same I confess, though cannot fathom why. Perhaps something subliminal is imparting in the allegory; whatever can it be? We soon learn the Empress is a fake blood sucker, though surely she must be sucking something to get those teeth creamed so, as described? Next, we hear of velvet skimming wood below, “flashing pink tongues”, stirrings of breast and groin regions, and “armour” [amour?] being “withdrawn”. One could be forgiven for thinking something mildly sexual was being described, though I strongly doubt this for myself.
Soon enough the Empress’ bell is rang, and Albert is left to “recover”, only to have “dead pollen” drip onto his shoes. Then, after being invited to “look closer” at her “hairy lantern” – her “most unusual piece” – Albert spits the content of his ‘cup’ “a good two yards”. Both onlookers then sigh as Albert’s “frothy goz dripped down”. Not yet exhausted, Albert vows to “get to the matter in hand”. Fortunately for Albert, the Empress whispers to him “I want to introduce you to a friend of mine Inspector”, revealing as she does so a talking head, or rather a talking Ed, who once found infamy as “the missing brain”. Here, the allegory deepens, and we are invited to ponder the hidden meaning of a man with no brain, or a brain with no man.
In closing, the Empress, tossing her long red hair and much else besides I suspect, penetrates Albert with her pen’s nib as she kisses him commandingly. A love first consummated in another lifetime unfolds once again, perhaps this time for eternity? The Empress need not doubt the matter I think, for Albert knows he has met his maker, the one, the one true one, and wishes to be pickled for eternity in the Empress’ laboratory – a happy ending, and the ending of a happy transmission.
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Ya big dirty git! I have no idea where you get such notions from Hariod. Though I will leave a message for Albert on the aether answering machine telling him I’m surprised at such subliminal shenanigans going on without poor innocent sonmi having a clue about them. Well not a clue about most of them for sure. – sonmi is seriously innocent folks, innocent I tell you!
(This comment has now been nominated for ‘Comment of the century’. The prize is a cup of tea that tastes of petunias and old men’s socks, and a hairy lantern.)
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Damn near stole the show with that comment, he did.
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You’re not wrong. It’s better than the transmission!
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I was going to say, I dare you to critique the critic Sonmi, (or aren’t such things aloud?) about the frankness of critic. But the word ‘disembodied’ was so cleverly positioned.
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I don’t get critical of critics so long as they shower me in compliments, and flowers, and call for the world in general to worship me as their saviour. I wouldn’t critique Hariod though, I’d censor him and send him to bed with no bloody supper. falls about laughing. He was incorrect on one point having said that, (or rather two), because The Empress does not have feratu implants, so this – “the Empress is a fake blood sucker” – is incorrect – Albert just assumes they are fake , they are in fact, much like everything else in the room, quite real.
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During a seaweed masterclass on the Sunday just gone, my niece Malie (who just turned a ripe 5) seemed to stop the flow with a single eyebrow lift. The room became still, I quickly abandoned my seaweed form & her arm lifted to a stiff point. The drawing and her pointed finger had a momentary stare off.
‘You’ve missed a bit’
She didn’t even show me & waited until I had figured it out myself. Her direct critique of the seaweed, opened my eyes to the missing link in the delicate plants structural form. Had I not been open to her caring critique, I may have found the seaweed a collapsed 2D representation. Of course I have drawn seaweed before, but never like this.
I often wondered how a critic becomes a critic, and if being critical has anything to do with it? The world probably wouldn’t need a saviour if we all became more critical, of everyone, including the ‘critical’. It may allow us to find love in weeds & bring pedestals back down to eye level.
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All the world’s a critic. I was joking in my last comment, however I think the subject of critics isn’t all black and white. It depends on who you want to please, and if you are the kind of person that feels they need that extra input or not. I have written scores of poems of which I had no desire whatsoever to have anyone else even read, let alone say what the hell was wrong with them, they did their job and exist no more now. There are pieces I’ve published on the Cloud that I don’t think need improving in that sense either. However, the positive feedback I get makes a difference that I had never imagined before. It is an immense one, a humongous one even. It is unlike any kind of emotion I’ve ever felt before. Its brilliant! That last piece of seaweed was not necessary for some I think, but its wonderful that it was shown to you by another person’s eye and made the whole shebang complete. I do have the grammar inspected sometimes, and should really do that more, but I don’t wish to know all the things people might dislike/hate/scorn about the pieces written and many critics do just that. I haven’t written any of the pieces for them, tis all for those who do like it, and myself, and if tis only myself that actually does find merit in it at the end of day, that’s absolutely fine. I don’t like the word ‘critic’, because ‘critical’ has such negative associations. Creative criticism is what I’m on about I suppose. I do ask a small panel of poor sods if there are any inconsistencies in the stories (the poems are mine), and consider that to be technical stuff round the edges like the grammar. Hariod’s take on the story was very clever, and very complimentary too, the kind of take that makes me very happy for I managed to conjure up so much in the way of mirth and enjoyment that he wrote all that back. That’s an achievement on my part, and I value all my commenters views highly, because they do find the bits they like and tell me. I’ll not bury anyone under the patio in the back garden if they do say they aren’t keen, but I see no reason to have been told particularly. And when I visit other folks blogs and read their work, when I do say what I think, I try to have it go beyond saying how much I like it, to add to that and tell them just why I do, or pick a bit out that I enjoyed. ‘If you can’t say anything nice, then don’t say anything at all‘ is an oft repeated mantra, but I’d add that if you can’t say anything nice, have a look again and see if you can find that love in the weeds, if you can get up on that pedestal and both have a cup of tea together enjoying the view (sonmi has a post in her about pedestals but that is for another time). I’ve done a post on this whole subject before, somewhere in the vast archives. Find the best in people say I, feedback can be a wonderful thing, and everyone should experience it in a positive sense, for it truly will have you up amongst the Clouds. smiles.
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First and foremost here is a big hug. And if that hasn’t done most of the talking then…[pours half her tea in a semi-clean cup found at the side of desk].
Secondly, yes critique is wonderful. I can’t help but highlight the words ‘depends on who you want to please’. I’ll leave that- at that. Feedback is fertilizer. Personally, the ‘negative’ feedback always seemed to made deeper dents & has had much more effect personally. Deeper slots for soil, more growth, perhaps? The ‘Positive’ feedback is great too.
Judgement and critique are two opposing poles.
Hariod’s input is profound.
I very much appreciate the depth of your cloud digging here with limited sleep. Lack of sleep is the death of me, quite literally, cannot function without a good solid 9-10 of them hours.
Hopefully ill see your comments again sometimes, I did very much appreciate them
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Thank you for the hug dearie, it is returned and doubled in squashiness. I have been, and am remiss so far as comments and catching posts go, but if it is any consolation, you are not alone in this poor show on my part. I’m somewhat unwell at the moment, and this along with certain life events has me treading water a lot. Also my memory stinks like old cheese, so bear with me Jessie-starshine, and I’ll pop over to catch up soon, thank you for coming to the Cloud so often, I appreciate that too. X
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Much love and a quick recovery back to health x
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Thank you Jessie. My superpowers shall return. nods x
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Starting is always the most difficult part. For me that is. I am speaking only for myself from here on out. I have no idea of others opinions and, honestly, only have interest in them in the way many people enjoy horror movies. So, now that that is clear.
I was(long pause while I think of the word) scared (that’s as good a word as any) at first when quickly glancing over the almost unbelievable amount of words (not to mention the letters making up the words) you included here and thought for some time about whether or not I had it in me to read it, But then, as I do, I laughed and shook my head and started reading, stopping only from time to time to shake my head some more at my own ‘nuttiness’.
I was very happy you included a link for ‘Tarsier’ because otherwise I’d have gone on imagining you’d made the word up. And now, typing it in here I’m being told no such word exists! So, maybe you created all the entries out there in the internet to fool me.
Anyway, I also was ( a little shocked) but also happy to see the amount of profanity (there could always be more, but, it’s an impressive attempt I must say) which appears in the above.
Overall, you’ve done a fine job and I’m glad I was able to get over my ‘peculiar tendencies’ long enough to enjoy it.
-The President and Founder
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I am honoured that you ploughed through the possibly un-wise length of the piece P&F, I’ll tell you that straight – has just done so in case you missed it.
“So, maybe you created all the entries out there in the internet to fool me.” – sonmi’s dedication to her
disciples, fans, inmates,followers is extensive, no rock shall be left unturned (unless said rock is bigger than a child’s fist and more than two yards away).The profanity shocked me too. Who in the real world would be so coarse?! – the Cloud is pointing an enormous cloudy finger at sonmi behind her – I knew you’d feel bloody well at home with it all.
“Overall, you’ve done a fine job ” – by the Gods I’m happy with this! I’m no longer giving out hairy lanterns sadly, due to some kind of confusion as to what one actually is from those in the cheap seats you know who you are. But I shall throw a rare (and prized) hug your way for all the effort put in reading this piece and spinning the comment above. – hugs the President and Founder who looks half pleased, half horrified and half wombat
Thank you P&F.
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I’m glad my comment was understood by you as I was under much confusion when writing it saying things like “Where do I put commas” and “Is this a sentence” as well as “Is this how you spell sentence?” and all manner of other ‘things’ that one definitely need not, cannot and does not at all want to give a name to let alone think about.
Anyway, I’m nearly back, and it is in part due to the invigorating effects of a long bout of reading your (electronically) printed matter (mostly silently to myself)
The President and Founder
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Being part (and of course parcel), of your return is of course a wonderful thing, and I am pleased to be a part of the hoo-haa involved in my small and Cloudly way sir. You did ever so well dealing with the tricky questions thrown at you, it’s almost as though you were born to this word thing I tell you. Born to it.
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I loved this piece, Sonmi. It was masterful in the telling– with delicious hints dropped here and there to draw the reader along, and full of language that is its own reward. I particularly enjoyed the view through the eyes of our beloved narrator, an utter fool who possessed just sufficient confidence to interpret his plummeting descent in terms of his own previous conclusions regarding the infallibility of normalcy, as well as his undoubtedly brilliant string of past accomplishments. I liked, in short, being a passenger within this gullible man’s soon to be decapitated brain… and I look forward to learning more about his previous encounters with the Empress, who clearly carries a grudge. But of course, eternity is quite a long time to fill if one doesn’t have a few axes to grind.
It is not often that one encounters fiction on the web that, when read a second time, results in the discovery of supporting details that only deepen the colors and sounds evoked by the first attempt. Your wit and humor were intoxicating as well.
Michael
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I’m chuffed to bits Michael! No matter how many times I read a piece before publishing it online, it changes significantly when I then read it again ‘from the outside’, and is often quite revealing to me as to the dealings of my conscious and subconscious getting together and enjoying themselves whilst receiving a transmission. I know this one could be much, much better, I wrote it quickly and didn’t want to linger and get stuck in expanding word-play, so if it appeals as much as it does to you without the tweaking I would have applied over a few weeks, then that’s fantastic news to me. nods a great deal. Albert is a sweet chap, naive on the surface, but within lies so much more, he just doesn’t remember any of it…yet. By the time he does, will he be at the mercy of The Empress, with no ‘body’ but her to hear him scream (or sing badly like everyone else)? Time (and the universe) will tell.
And you read it more than once too! It’s a long one, so many will just glance and pass on, put off by the size of it, therefore I very much appreciate those who plough through to the end, and all the more-so those who go back for more. I am honoured. Thank you Michael.
“eternity is quite a long time to fill if one doesn’t have a few axes to grind.” – A truer word was never said – nods and laughs.
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Esme,
This was such an enjoyable read. I love your simulcast fragments. It looks like I have a couple more to read in connection with this one, but I put all your simulcasts into the Whiz-o-Matic Randomizer (TM) and this is what popped up. 🙂
I’m afraid I can’t begin to top Hariod’s comment. He seems to read a lot of your stories as erotic literature, which I suppose has it’s advantages when you’ve had a bit to drink and you have too much sophistication to look at pornography. lol Anyway, this piece was a beautiful mixture of comedy and the macabre. Through your simulcasts that I’ve read so far you’ve definitely shown you are capable of different styles of writing, but your ability to combine the absurd with a gripping tale is definitely a most excellent talent you possess. And it’s very you, which is to say when I read this I feel like I am spending time with Esme. I mean not in the literal sense of what’s happening in this story (although I can’t say that I wouldn’t feel complimented if you wanted to keep my head in a jar for all time) but rather I imagine conversation with you would be a mixture of thoughtful and serious, while also laughing the whole time as you mix in your excellent wit and ability to be silly. I suppose in a way it’s why I love British humor so much. I’ve heard Cleese talk about it a lot, that they loved this sort of “stiff upper lip” sort of attitude that British have and sort of keep it up even in the face of the absurd. The police inspector is sort of a good example of that type of staunchly British character trying to keep composure in the face of abnormality. Comparing people to my heroes of British Comedy is not something I do readily, so when I say you are extremely talented I mean it.
I really laughed when I read “tea-cup and saucer with ‘Frankie Says “RELAX””, not only did it fit with the odd character, but it also makes me wonder what relics from this time period will people keep and consider “antiques”. We tend to look at antiques from the perspective of ornate jewelry, fine watches, and priceless vases, but it feels like culture today is so different in regards to the appreciation of craftsman ship, that we would in a way value the absurd and cheesy as the important relics of this time period. And actually I don’t have a problem with that. I could see myself collecting such a tea cup and saucer. There is so much that seems absurd about pop culture these days, that to stand out in absurdity is a special commodity. lol And the 80’s did excel at the absurd. 🙂
I look forward to reading the other connected simulcasts!
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“This was such an enjoyable read. I love your simulcast fragments.” YOU sir, can come again. Hahahaha.
It’s all true about Hariod – a terrible lush who’s addicted to esme erotica. I run a self-help group for people like him, but he’s pretty far gone sadly. – laughs for a very long time until she hears H approaching waving his fist and pegs it behind the sofa
To be serious though I’m pretty blown away by all your words again Swarn, you seem to ‘get’ my writing so well and it make me want to write more without doubt. For a long time I didn’t have any humour in my stories or poems, despite my demeanour when commenting – it simply didn’t happen. Then one day something mildly amusing popped up and I let it out there, to see if anyone would find it amusing, and one or two people seemed to, and I think that gave me some more confidence in the area. Humour is as tricky as writing good erotic fiction – if you do it well you’re flying, hit the mark and it’s beyond cringworthy. It’s absolutely horrible.
“Comparing people to my heroes of British Comedy is not something I do readily, so when I say you are extremely talented I mean it.” – I’m honoured, seriously, thank you so much for all the above Swarn, that’s a brilliant comment and I’ll treasure the words held, (barring the bit about Hariod wanking).
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You are very welcome Esme! And your writing is helping me find my voice better too. I’m hoping I can include better wit and humor in my writing as well, so you give me hope that I’ll find my voice one day and can let it blossom. 🙂
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Well we’re all bouncing off one another here, and I now follow a good few people who’s style and words inspire me, your good self included. And your skill at writing articles is quite something else beyond your creative pieces too. But then you are a professor of Clouds, so of course you’re that good!
esme flying through the troposphere with Swarn
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Thank you Esme! 🙂
Swarn bouncing off Esme and down from the cloud. –boing boing– into the sunset.
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A startling and unique tale. I suppose a genuine immortal monster could also be genuinely insane.
Were the two prequel posts deleted? The links don’t bring them up.
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Thank you! I like ‘startling’ a lot. Some of the fragments have been removed along with some poems as I’m doing a last run through edit of everything for a book I’m compiling. They don’t run in line anyway though, however they are all connected in infinitesimal or slap bang obvious ways. I love the idea of snippets of lives, in many ways that’s what we are all left with eventually – small stories or echoes of experiences. I like to think there’s a strange sentient Cloud out there picking them up, our stories, the small footprints. All of them. smiles.
Happy Christmas Infidel.
-Esme x
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