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Abra- Abra- Cadaver - I wanna reach out and grab ya, Being John Malkovich., Hiding in one who hides in yourself, Nobody's looking for a puppeteer in today's wintry economic climate., On Level 42, The Devils in tha house of tha risin' sun, You can hide but ya can't run Long John Silver
The Tale of the Thirteenth Floor by Ogden Nash
The hands of the clock were reaching high
In an old midtown hotel;
I name no name, but its sordid fame
Is table talk in hell.
I name no name, but hell’s own flame
Illumes the lobby garish,
A gilded snare just off Times Square
For the maidens of the parish.
The revolving door swept the grimy floor
Like a crinoline grotesque,
And a lowly bum from an ancient slum
Crept furtively past the desk.
His footsteps sift into the lift
As a knife in the sheath is slipped,
Stealthy and swift into the lift
As a vampire into a crypt.
Old Maxie, the elevator boy,
Was reading an ode by Shelley,
But he dropped the ode as it were a toad
When the gun jammed into his belly.
There came a whisper as soft as mud
In the bed of an old canal:
“Take me up to the suite of Pinball Pete,
The rat who betrayed my gal.”
The lift doth rise with groans and sighs
Like a duchess for the waltz,
Then in middle shaft, like a duchess daft,
It changes its mind and halts.
The bum bites lip as the landlocked ship
Doth neither fall nor rise,
But Maxie the elevator boy
Regards him with burning eyes.
“First, to explore the thirteenth floor,”
Says Maxie, “would be wise.”
Quoth the bum, “There is moss on your double cross,
I have been this way before,
I have cased the joint at every point,
And there is no thirteenth floor.
The architect he skipped direct
From twelve unto fourteen,
There is twelve below and fourteen above,
And nothing in between,
For the vermin who dwell in this hotel
Could never abide thirteen.
”
Said Max, “Thirteen, that floor obscene,
Is hidden from human sight;
But once a year it doth appear,
On this Walpurgis Night.
Ere you peril your soul in murderer’s role,
Heed those who sinned of yore;
The path they trod led away from God,
And onto the thirteenth floor,
Where those they slew, a grisly crew,
Reproach them forevermore.
“We are higher than twelve and below fourteen,”
Said Maxie to the bum,
“And the sickening draft that taints the shaft
Is a whiff of kingdom come.
The sickening draft that taints the shaft
Blows through the devil’s door!”
And he squashed the latch like a fungus patch,
And revealed the thirteenth floor.
It was cheap cigars like lurid scars
That glowed in the rancid gloom,
The murk was a-boil with fusel oil
And the reek of stale perfume.
And round and round there dragged and wound
A loathsome conga chain,
The square and the hep in slow lock step,
The slayer and the slain.
(For the souls of the victims ascend on high,
But their bodies below remain.)
The clean souls fly to their home in the sky,
But their bodies remain below
To pursue the Cain who each has slain
And harry him to and fro.
When life is extinct each corpse is linked
To its gibbering murderer,
As a chicken is bound with wire around
The neck of a killer cur.
Handcuffed to Hate come Doctor Waite
(He tastes the poison now),
And Ruth and Judd and a head of blood
With horns upon its brow.
Up sashays Nan with her feathery fan
From Floradora bright;
She never hung for Caesar Young
But she’s dancing with him tonight.
Here’s the bulging hip and the foam-flecked lip
Of the mad dog, Vincent Coll,
And over there that ill-met pair,
Becker and Rosenthal,
Here’s Legs and Dutch and a dozen such
Of braggart bullies and brutes,
And each one bends ‘neath the weight of friends
Who are wearing concrete suits.
Now the damned make way for the double-damned
Who emerge with shuffling pace
From the nightmare zone of persons unknown,
With neither name nor face.
And poor Dot King to one doth cling,
Joined in a ghastly jig,
While Elwell doth jape at a goblin shape
And tickle it with his wig.
See Rothstein pass like breath on a glass,
The original Black Sox kid;
He riffles the pack, riding piggyback
On the killer whose name he hid.
And smeared like brine on a slavering swine,
Starr Faithful, once so fair,
Drawn from the sea to her debauchee,
With the salt sand in her hair.
And still they come, and from the bum
The icy sweat doth spray;
His white lips scream as in a dream,
“For God’s sake, let’s away!
If ever I meet with Pinball Pete
I will not seek his gore,
Lest a treadmill grim I must trudge with him
On the hideous thirteenth floor.
”
“For you I rejoice,” said Maxie’s voice,
“And I bid you go in peace,
But I am late for a dancing date
That nevermore will cease.
So remember, friend, as your way you wend,
That it would have happened to you,
But I turned the heat on Pinball Pete;
You see – I had a daughter, too!”
The bum reached out and he tried to shout,
But the door in his face was slammed,
And silent as stone he rode down alone
From the floor of the double-damned.
Wow. Thank you!
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I’m glad you enjoyed it, you are most welcome, tis quite a tale. – nods.
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So Tubularsock kind-of-gets that this hotel doesn’t take American Express?
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I suspect not. I heard they prefer the currency of fingers and toes (for tips) on the way to the nose, and make a hell of a hole when extracting the soul as final payment. My advice is – don’t use the mini bar.
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I believe I will now be reading more Ogden Nash — along with W.H. Auden — and further strengthen my American-to-English poetry… or is it English-to-American(?)…(wink)! The fusion just seems… seems so right, don’t you think? (large grin)
Love(d) this poem. Thank you my Enchanting Esme upon the Fragrant Cloud! ❤
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Good man. I like a bit of fusion word-wise, dialect to accent to inflection all mixed up sometimes. Ya gotta speak proper sumtimes tho.
I must admit I have a strong dislike for numbers instead of words mind you. But that’s a different kettle of bananas.
Glad you enjoyed it Prof, I’m no fan of long poems usually, they have to be particularly good to hold my interest. This one had a fine tale within. It reminded me a little of a fab book I read a while back called – Apartment 16 by Adam Neville.
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I love Adam Nevill!!!! Though I have yet to read Apartment 16, I have read about 4 others, sooo looking forward to it!!!
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Hello there, you MUST read it! It’s an absolute cracker. – nods a lot
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It is on my list to get ASAP!! The others I’ve read of his I have just loved!!!
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I used to like Ogden Nash. But that was his Custard the Dragon sort of verse. Poor Custard wouldn’t have liked the thirteenth floor.
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‘Belinda embraced him, Mustard licked him,
No one mourned for his pirate victim
Ink and Blink in glee did gyrate
Around the dragon that ate the pyrate.’ – My favourite verse in the poem.
I like Custard, and suspect that if I got him pissed, he’d be more than up for an adventure on said floor. nods
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I think Custard was rather undermined overall. He did what he had to when necessary. I rather fancied a realio trulio LPD. I don’t think you would need to get him pissed. Custard needs a little relaxation and respect 🙂 🐲
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Well I’d be the very last to argue over an imaginary dragon called Custard. Perhaps second to last. And you may know more about dragons than I to be fair, but I’m sticking to taking him to a bar for a shed-load of Jack Daniels and then hitting the 13th floor with a bag full of party poppers and some rhubarb to toast. Which adds up to relaxation and respect in a way so we agree completely. laughs a lot
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I love this ! Thankyou dear Esme ….hugs , megxxx
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I’m glad you enjoyed the ride Meg beams a smile her way.
esme rolling with the wind upon the Cloud
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I just saw a heart shaped cloud above this snowstorm …I think it must be you Esme !
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You’ve caught me Meg, keep the info under your hat though…I’m a bad enough spy as it is.
esme winking and hiding within the long collar of her tan overcoat upon the Cloud
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That was a very intriguing poem! It gave me goosebumps. I will now have to check out more from this poet. I will also have to show this to my daughter. She is a major Edgar Allan Poe fan and this one seems to be akin to Poe’s style. She will love this as well. 🙂 Thank you for sharing!
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You are very welcome lonestar. A dark tale indeed, I’m glad you like it so much; he tended to write light verse, so this stands out a bit, as does the following –
Listen…
There is a knocking in the skull,
An endless silent shout
Of something beating on a wall,
And crying, “Let me out!”
That solitary prisoner
Will never hear reply.
No comrade in eternity
Can hear the frantic cry.
No heart can share the terror
That haunts his monstrous dark.
The light that filters through the chinks
No other eye can mark.
When flesh is linked with eager flesh,
And words run warm and full,
I think that he is loneliest then,
The captive in the skull.
Caught in a mesh of living veins,
In cell of padded bone,
He loneliest is when he pretends
That he is not alone.
We’d free the incarcerate race of man
That such a doom endures
Could only you unlock my skull,
Or I creep into yours.
esme bwahahaha-ing in a spooky fashion upon the Cloud
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Yikes! Spooky indeed. You have to wonder about the mind behind the penning of this one! 🙂
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A dark tale with a Robert Service feel. Cool.
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Hello J.B. Robert Service, hmm, yes, I see where you’re coming from there.
esme nodding upon the Cloud
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Brilliant!!! Not heard this one before.Love poetry…..and creepiness, great stuff…
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Poetry and creepiness often go hand in hand, you can’t go wrong with a good old spooky ode.
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I think so too, I love creepiness very much, anything that gives you that tingly feeling of strangeness…
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